Oops I Did It Again Karaoke Royalty Free
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Length | 44:37 | |||
| Label | Jive | |||
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did Information technology Again | ||||
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Oops!... I Did It Again is the second studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut anthology ...Infant Ane More Time (1999), it is a popular, dance-pop, and teen pop record, the album incorporates a more than funkier and R&B sounds. [1] Contributions to the album'southward production came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Over again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal functioning. The album became a massive commercial success, debuting at number one in over twenty countries while peaking within the top 5 in various other. In the Usa, it debuted at number one on the Billboard 200, with first-week sales of i.39 million copies, becoming the fastest selling anthology past a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[iii] This record was cleaved fifteen years later by Adele'due south 25, which sold over 3.38 million copies in its commencement week of release.[4] It became Spears' second consecutive album to exist certified Diamond by the Recording Manufacture Association of America, cogent sales of over ten million copies in the United States, making Spears at age xviii the youngest creative person to have multiple diamond albums.[5] With worldwide sales of over xx million copies,[6] Oops!... I Did It Again is i of the best-selling albums of all-time.
Four singles were released to promote the album. Its title rail was commercially successful in a number of territories, reaching number one in 15 countries and peaking at number nine on the The states Billboard Hot 100. Its second single, "Lucky", peaked at number one in Republic of austria, Frg, Sweden and Switzerland, inside the top 10 in Australia, Belgium, Canada, Kingdom of denmark, Ireland, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number xx-iii on the United states of america Billboard Hot 100. Its 3rd single, "Stronger", reached the superlative ten in Republic of austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Aureate certification in Australia, Kingdom of denmark, Deutschland, New Zealand, Sweden, and the United States. Its final single, "Don't Allow Me Be the Concluding to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top x in Republic of austria, Poland, and Switzerland, just failed to nautical chart on the United states Billboard Hot 100. To promote the anthology, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first fourth dimension on Saturday Nighttime Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on Jan 18, 2001.
Recording and production [edit]
"When I did the first album, I had simply turned xvi. I mean, when I await at the album cover, I'm similar, 'Oh, my lordy.' I know this next anthology's going to exist totally different--particularly the material. I simply got finished recording the starting time six tracks in Sweden two months ago, and the textile is then much more funkier and edgier. And, of course, it's more mature because I've grown as a person likewise."
—Spears on the progression of her material for the album.[7]
Afterward vacationing for half dozen days following the completion of the ...Babe 1 More Time Tour in September 1999,[viii] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took place in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Over again", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Become)", and "Don't Go Knockin' on My Door" were the first to exist recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title rails) in January 2000. Spears recorded "Don't Let Me Be the Terminal to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby Ane More Time. "Girl in the Mirror" and "Can't Make You Love Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upward with producer Steve Lunt to record Diane Warren'due south "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Buss from You" was likewise recorded at Battery Studios but was later finished at 3rd Floor in New York Metropolis. Spears besides recorded the last track for the album "Dear Diary" which would after exist completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another vocal recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later attending the 42nd Almanac Grammy Awards.[13] [fourteen]
By January, the and then-untitled album was halfway to completion; Spears had worked on information technology primarily in the United States and Sweden, and finalized fabric in New York City.[9] She was heavily pressured afterwards ...Infant 1 More Time 'due south huge commercial success, stating: "It's kind of difficult post-obit ten meg, I have to say. But later on listening to the new material and recording it, I'thou really confident with it."[15] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of grade there's some force per unit area", and added: "But in my opinion, [Oops!] is a lot better than the first album. It's edgier – it has more of an mental attitude. It'due south more me, and I remember teenagers will relate to information technology more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Once again less than a year and a one-half subsequently Spears' debut amounts to "very smart timing. My philosophy is when yous take a young fan base, get 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Once again was considered as a sequel to Spears' debut album, ...Baby Ane More Time (1999),[i] percolating with a advisedly measured blend of familiar pop, funk, R&B and ability balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It'due south not something I changed purposefully", Spears said of the album'south sound and added: "It's merely something that kind of changed on itself with me being older. My voice has changed a little bit and I'm more confident, and I call up that comes across on the cloth."[seven] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones embrace, stating: "Information technology'south going to stupor everybody", calculation: "It has flavors of the original, but it'southward a straight 2000 version — new to the ear. Which I remember is absurd, because people who capeesh that song are going to beloved information technology. And I made it so new and immature that the young kids that love Britney are going to love it. It's going to grab both a mature and young audience."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When yous hear the song, information technology'southward so pure and frail. Information technology'south just i of those songs that pull you in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if y'all really listen … they're more than of what I can relate to, 'cause they're kind of young lyrics, I call up. I don't think Shania would probably sing some of the words that I'm saying."[eighteen]
The championship rail and opening vocal, "Oops!... I Did It Over again", was compared to her debut unmarried, "...Baby One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized vanquish. Lyrically, the song sees Spears alert to an overeager prospective lover: "Oops, you remember I'm in love/That I'm sent from higher up — I'g not that innocent."[xix] The song also breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[nineteen] The 2nd track "Stronger" is a synthpop[20] and R&B-infused rail,[xviii] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like belongings.[21] The line "my loneliness ain't killing me no more" makes reference to the poetry "my loneliness is killing me" from her song "...Baby One More Time".[18] Another R&B-infused rail, which also adds a chip more funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The 4th track, a comprehend of the Rolling Stones' "(I Can't Become No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-popular version also jettisons the song's final verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my brim should be").[23] "[Information technology] was my thought [to record the vocal]", Spears said. "I was but like, 'I like this song,' and I retrieve it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[24] The fifth rails, "Don't Allow Me Exist the Final to Know", was co-written by country-popular vocalist-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who too produced the rails.[18] The ballad, which boasts a slinky keyboard riff and Lange'southward characteristically lavish production, finds Spears allowing a fleck of land twang into her vocals as she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I demand to hear it straight from you", she sings.[18]
The 6th rail "What U Run across (Is What U Go)" demands respect by rebuking a jealous partner,[21] while the seventh track, "Lucky", is a center-rending tale of a Hollywood starlet'southward loneliness, proving that fame can exist empty.[21] "If at that place'southward nothing missing in my life/Then why do these tears come at dark?", she asks.[20] "School trounce" is the theme of "I Buss from You",[21] a runway that has a reggae-style beat out and lyrics about the feelings of falling in love, and the quickness of it,[25] with Spears cooing that after only one kiss she sees her unabridged future with her lover.[26] The carol "Where Are You Now" talks virtually wanting to know where a previous love is, and what that person is up to, and then that she can finally let them become and observe closure.[ citation needed ] Lines on "Tin't Make You lot Beloved Me", a Europop song,[22] land that fancy cars and coin pale in comparison to true dearest,[21] with Spears singing: "I'g just a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a cord section with a loping hip hop vanquish,[18] while Spears makes her ain songwriting debut on the small-scale, keyboard-driven ballad "Honey Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a male child.[eighteen]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italy, she did a short interview on the tv show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Spain, she gave an interview with El Rayo on September eight and October 24.[27] Spears performed at big venues in the United kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom outing in October 2000.[28]
Oops!... I Did It Again was starting time released in Japan on May iii, 2000, and was later released in the United States on May xvi. In the Usa, Spears appeared on Saturday Dark Live on May thirteen, The Rosie O'Donnell Testify on May 15, and Teen People'due south 25 Nether 25 on May 26.[29] On May ten, she was interviewed on Late Dark with Conan O'Brien.[27] On May 13, Spears was both the host and musical invitee on NBC's Saturday Night Live. She also performed on NBC'southward The Tonight Bear witness with Jay Leno on May 23.[30] Spears' held her post-TRL listening party, "Britney'south First Listen", on May sixteen, and was toast the arrival of her album on side by side Tuesday'south installment of TRL that started at iii:30 p.m. (ET).[31] On May xiv, she was at Times Foursquare studios for 2 hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Once again" on MTV'south All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable alive performance.[32] which included a embrace of the Rolling Stones'southward hit single "(I Can't Get No) Satisfaction" (1965) and her ain hit "Oops!... I Did Information technology Once again", released earlier that year. While she began her segment in a blackness arrange, she shocked the audience and the media while, at only the historic period of eighteen, ripped information technology off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month earlier the release of the album, Spears headed to Hawaii on Easter Sun so she could tape a Play a trick on television special titled Britney Spears in Hawaii. The gratis concert was held on the beach in forepart of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve equally a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Again, and on May ii, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was likewise expected to appear on a Grammy-mean solar day TRL.[36]
The album'due south supporting tour, the Oops!... I Did Information technology Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and telly advertising entrada for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears'southward fifty-city summer concert tour, in which Herbal Essences was the bout sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released every bit the lead unmarried from the anthology and achieved worldwide popularity. It became Spears's third pinnacle-10 hit single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Baby One More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a minor thwarting.[38] The song peaked at number one on the Us Mainstream Top 40,[39] holding the record for the most radio additions in ane day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Espana, Sweden, Switzerland and the Great britain.[40] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic reddish shiny catsuit, while she is visited past an American astronaut who easily her the fictional Heart of the Ocean jewel which Rose threw into the sea at the terminate of Titanic.[41]
The album's second unmarried, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Deutschland, Sweden and Switzerland, while reaching number five on the United kingdom of great britain and northern ireland Singles Chart.[42] In the The states, "Lucky" only managed to peak at number 20-three on the Billboard Hot 100 chart and at number nine on the Mainstream Summit 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[43]
The third single, "Stronger", was released on October 30, 2000 and became the album's second highest-charting single in the United States, peaking at number 11 on the Billboard Hot 100 and number one on the Hot Single Sales.[38] It reached number seven on the UK Singles Chart.[44] Its music video sees Spears catching her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson'due south video for "The Pleasure Principle".[45]
The 4th and final single, "Don't Permit Me Be the Last to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Tiptop 40. However, the song attained success in Europe, topping the Romanian Superlative 100 and peaking within the top 10 in Republic of austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in beloved scenes with her fictional swain, played past French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say Information technology" was released in the United Kingdom in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'southward Consumer Guide |  [fifty] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | eight/10[52] |
| NME | 8/10[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.internet | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Over again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album 4 out of five stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'One More than Time'," merely remarked that, "Fortunately, she and her production team not only have a stronger overall set up of songs this time, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the anthology character autonomously from the well-crafted dance-popular and ballads that serve equally its heart. In the end, it's what makes this an entertaining, satisfying listen."[ane] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't be conjured with a glass-shattering annotation," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner ability—and that's a darn good message to offer an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds the states once again that the best new pop can exist a nail of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'N Sync or BSB get", besides noting that "the great thing about Oops!, under the cheese surface, is circuitous, tearing and downright scary, making her a true kid of rock & gyre tradition."[23] A writer of NME reported that "she's modern-day popular perfection realised in a nigh, human form", commenting that "she's done information technology again."[20] Lennat Mak of MTV Asia named information technology "a bright second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts non for its bulletin but for the way information technology applies the conventions of the popular-musical medium."[53] Website The A.5. Club was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial functioning [edit]
In the U.s.a., Oops!... I Did It Once more reportedly sold 500,000 copies in its offset day of release.[62] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest get-go-week sales by a female artist.[66] This record was held for 15 years, only to exist surpassed in November 2015 by the album 25 past Adele, which sold over iii.38 million albums in the Usa in its outset calendar week.[4] The album fell to number ii in its second calendar week, with additional sales of 612,000 copies.[67] Information technology held this position for xv consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did Information technology Once more had sold over three 1000000 copies and had passed five 1000000 copies by August.[70] On its seventeenth week on the nautical chart,[71] it was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The anthology spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Itemize Albums.[74] Oops!... I Did It Over again debuted at number eighty-2 on the European Top 100 Albums, and chop-chop peaked at number one;[75] it sold over 4 million copies within the continent, being certified 4-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number two on the Great britain Albums Chart,[forty] selling 88,000 copies in the first week of release; it remained in the top 5 for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its beginning week.[77]
Information technology topped the French Albums Chart[78] and the German language Offizielle Top 100, also being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number ii on the Australian Albums Chart, and spent ten weeks in the elevation 20;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Manufacture Association (ARIA) the following twelvemonth later on aircraft 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number 3 on the New Zealand Albums Chart and was certified Gilded after but one week on the chart.[85] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth all-time-selling album according to Billboard Yr-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[89] [ninety] As well, the album landed at number twenty-seven on BMG Music Club all-time best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the anthology has sold 9,184,000 copies in the United states of america, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did Information technology Again sold two.5 1000000 copies in its outset week (2d highest showtime calendar week sales past a female creative person worldwide) and sold 15 1000000 copies past the end of the year. Information technology was the all-time-selling female album and 3rd best selling anthology of 2000. The album has sold xx 1000000 copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Become)" and "Tin't Make You Love Me" are "well-nigh identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a vocal called "What Yous Run across Is What You Get" in 1999 to one of Spears' representatives for consideration on a future album, though it was rejected.[93] The case was later dismissed afterwards information technology was ruled that they lacked sufficient bear witness and that in that location "weren't enough similarities between the two songs to prove copyright infringement."[94]
Track listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| one. | "Oops!... I Did Information technology Again" |
|
| three:31 |
| 2. | "Stronger" |
|
| three:23 |
| three. | "Don't Get Knockin' on My Door" |
|
| 3:43 |
| four. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Exist the Last to Know" |
| Lange | iii:50 |
| vi. | "What U Encounter (Is What U Get)" |
|
| 3:36 |
| seven. | "Lucky" |
|
| 3:26 |
| 8. | "Ane Osculation from Y'all" | Steve Lunt |
| 3:23 |
| ix. | "Where Are You Now" |
|
| 4:39 |
| x. | "Tin can't Make Y'all Love Me" |
|
| 3:17 |
| xi. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| ii:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Dear Diary" |
|
| two:46 |
| Full length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Eyes Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "You Got It All" | Rupert Holmes | Eric Foster White | iv:43 |
| 14. | "Dear Diary" |
|
| 2:46 |
| Full length: | 52:33 | |||
| No. | Title | Writer(southward) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Optics Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You lot Got It All" | Holmes | White | 4:10 |
| 14. | "Heart" |
|
| 3:31 |
| 15. | "Honey Diary" |
|
| 2:46 |
| Full length: | 55:34 | |||
| No. | Championship | Length |
|---|---|---|
| 1. | "Don't Let Me Be the Last to Know" (Album version) | 3:l |
| two. | "Don't Permit Me Exist the Last to Know" (Hex Hector Radio Mix) | iv:01 |
| 3. | "Don't Let Me Be the Last to Know" (Hex Hector Gild Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did Information technology Again" (Music video) | four:xi |
| vii. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | thirty:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | 4:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | three:47 |
| 4. | "Oops!... I Did It Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Full length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brownish – assistant engineer
- Flip Osman – assistant engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Stonemason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back cover, comprehend photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Loma – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Yr-end charts [edit]
Decade-terminate charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Encounter also [edit]
- List of best-selling albums
- List of acknowledged albums by women
- List of acknowledged albums in the United states of america
- List of fastest-selling albums
Notes [edit]
- ^ Equally of December 2010, Oops!...I Did It Once more has sold 9,201,000 copies in the United states of america according to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ "Premios – 2000" (in Castilian). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special U.k. Edition)". AllMusic. Oct 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did Information technology Again [Nihon 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Over again AUSTRALIA Special Edition west/Bonus Disc of Remixes And Videos". Record Runner U.s. . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again Express Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again 20th anniversary edition movie vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Just Hits. Year past year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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